MR HUDSON [FEAT KANYE WEST] - SUPERNOVA from MrHudson on Vimeo.
[Artemis J]
Sunday, September 6, 2009
Mr. Hudson
Aye O Cass Ah NOOOOVVVAAAAAA!!! It's your favorite walking contradiction, Artemis J with another one of her famous random post. So it seems as though October is the month for music and midterms (don’t know about ya’ll but I have 3) and free candy from strangers that’s probably laced with heroine or morphine. Now by now we all know that Mr. Hudson’s debut solo album Straight No Chaser will be dropping early next month; I’m guessing the 6th. I don’t know about you but I can’t get enough of his pale British ass and can’t wait to “barrow” the album from some random stranger over the internet. Till then this video of “Supernova” off of his debut album will have to suffice. Like it. Love it. Live it. Or hate it. Do you. I’m out. PEACE EASY!
[Artemis J]
[Artemis J]
Saturday, September 5, 2009
BLUEPRINT 3 ALBUM REVIEW
What's good ya'll, it's ya boy ATM and I'm back wit a new album review for that ass. The highly-anticipated third edition of the Blueprint series by Jay-Z doesn't hit stores 'till the 11th but you know the good people at Blue Vinyl Radio got your back when it comes to that EXCLUSIVE ish. Before we get into it, here's a look at the video for the second single off the album, "Run This Town (feat. Rihanna and Kanye West)."
With the way things have been goin' in the game, it seems as if everyone is either tryin' to turn Hip-Hop back into the direction that it came from (Slaughterhouse, Eminem, Busta Rhymes, etc.) or tryin' to just run on the course that it is currently on (Lil' Wayne, Diddy, Jim Jones, etc.). If anyone was goin' to give you his perceptions of the current state (and possible demise) of Rap music, it had to be none other than Jay-Z. Many doubters have already anticipated his next release, anxious to see what he still has to offer after coming out of retirement to drop two LP's (and now his third). The self-proclaimed "Best Rapper Ever" (and critically-acclaimed "Best Rapper Alive") may no longer have anything to prove, but the question still remains to be asked: What does Jay-Z stll have to offer?
The disk starts off proper as Jigga hits you with a good combination of flow, style, swag, and musical energy. But things eventually go south as guest appearances by Young Jeezy and Swizz Beatz just don't make the cut against Jay's artistry. Even as the middle tracks leave you wanting something better from the Marcy vet, he still manages to squeeze in standouts like "Already Home" and "Hate" (featuring Kid-Cudi and Kanye West respectively). The album ends with a somber collaboration from new-comer Mr. Hudson but as a whole doesn't make the remarkable impact some may expect.
While Jay's first post-retirement album "Kingdom Come" came off as a disappointment and the second ("American Gangster") as possibly one of his best, "Blueprint 3" fits right in the middle. Jigga's latest add to the resume doesn't seem to give you the best he can possibly give but does display brief points where Hov is clearly goin' hard and giving you a reason to place him as one of Rap's premiere MC's.
Individual Track Review:
1. What We Talkin’ About (Feat. Lake Steele of Empire of the Sun)- Jigga kicks things off in his highly anticipated addition to the “Blueprint” series with an unexpected mid-tempo Electronica selection many people may recognize (lyrically). If you kept up with Jay-Z news this past summer, you’ll recall a “beef” he possibly instigated with The Game by placing him in the same bar as the names Dame Dash and Jim Jones. While the aforementioned verse definitely sounds more sensible over the instrumental, the track isn’t something you’d expect to get too hyped over.
2. Thank You- Here’s the Jigga Man people have been waiting to hear from. On a laid back, horn-filled selection, Hova takes the time to express the state of Hip-Hop and his perception of it. Punchlines come aplenty and the beat is satisfactory as well. Why was this track not the intro?
3. D.O.A. (Death of Auto-Tune)- The lead single of Blueprint 3 continues to give you a taste of Jay-Z’s perception of the current stance rappers are taking in Hip-Hop. The horns and electric guitar give a ruthless, rugged appeal to Jay-Z’s flow but the lyrics just aren’t heavy enough to get his point fully across. While Hip-Hop nation undoubtedly took notice of Hov’s message (T-Pain, the Auto-Tune King, joined him on stage to perform this at Summer Jam), the release of such a single seemed to come at a coincidental time rather than acting as the reason why the use of Auto-Tune has actually declined.
4. Run This Town (Feat. Rihanna and Kanye West)- Here, Young Hov enlists the stardom of Rihanna and ‘Ye to gain a little more commercial attention for the LP. I found “Run This Town” a track that took getting used to; but the appeal of the cinematic snare and guitar in addition to the swagger Jay-Z applies with his flow makes it exceptional. Oh yeah, it just so happens Kanye delivers a knockout blow with his verse as well. The sequence of this second single fits perfectly into the tracklist.
5. Empire State of Mind (Feat. Alicia Keys)- “Let’s hear it for New York!” It’s been a while since an artist has provided his or her city with an anthem to stand by. Look no further; just when you thought the features couldn’t get significant on Jigga’s latest LP, he had the nerve to enlist the R&B prowess of Ms. Alicia Keys. And to top that off, Alicia acted as if she hadn’t gone anywhere from the game by giving an above average performance. Giving you the nostalgic feeling of being in downtown Manhattan, this joint is an exceptional addition to Hovito’s resume.
6. Real As It Gets (Feat. Young Jeezy)- Don’t be surprised by the name listed next to “Feat.” Although Jay-Z has lent his vocals to a Jeezy cut before [“Go Crazy (Remix)”], the Snowman unfortunately can’t adequately return the favor. Crooning the hook and making appearances in the first and third verses, Jeezy’s lyrics are about as “dull as it gets.” Hov attempts to salvage the song in the first half of the third verse, but outshining Jeezy doesn’t help in the overall quality of the track.
7. On to the Next One (Feat. Swizz Beatz)- As I peep the title of this song and look at who’s featured, I recall the days of when a Swizz Beatz track used to entail either a Ruff Ryder banger or a joint you’d want to highlight at the next house party. Nowadays, it’ll probably display a rapper with a lackluster flow thinking swagger can overpower lyricism (if Swizzy isn’t rapping over the instrumental himself). And this is pretty much what you get from this Blueprint selection. While some can make the case that the beat is hot, Jay-Z’s laziness forces me to suggest that you move “on to the next one” upon entering Track #7.
8. Off That (Feat. Drake)- Knowing Jay-Z’s style, you wouldn’t expect him to enlist Timbaland to bring you a track that sounds as if it came off of Madonna or Lil’ Mama’s previous albums (“4 Minutes,” “Shawty Get Loose”). While this club joint comes off as unexpected, it surprisingly works with Jigga’s flow and delivery as of late. Unfortunately, the track is heavily crippled by the fact that Drake does not land a verse on this album cut (and possible next single). As this track was projected to be Jay-Z’s second release (after “D.O.A.”), I can now understand why it was pulled back and why fans will be highly disappointed by the absence of Drizzy’s presence.
9. A Star Is Born (Feat. J. Cole)- And the up-tempo selections don’t stop. Jigga takes the time to elaborate upon various Hip-Hop acts that have become stars over the years. J. Cole gives a satisfactory appearance on the final verse but his request to become a star shouldn’t be taken metaphorically. As a Roc Nation signee, it can only be questioned whether or not we will see a highly advertised debut LP from “Simba” on behalf of Jigga Man and company. In the meantime, enjoy hearing the stories of how some go from rags to riches.
10. Venus Vs. Mars- When Jay-Z took the risks of discussing romantic endeavors on previous cuts such as “I Know,” “Bonnie and Clyde ’02,” and “Excuse Me Miss,” Hov definitely reaped what he sowed and came out of the mushroom cloud with some of his biggest hits. This track just comes off as awkward and uncomfortable as Jigga’s newly-found swag displays why it shouldn’t be used to holla at the ladies. With detailed descriptions of a particular encounter with the opposite sex, one comes to realize the limits of the self-proclaimed (and critically acclaimed) “best rapper alive.”
11. Already Home (Feat. Kid Cudi)- After dismantling an exceptional start to a highly-anticipated LP, Jay finally turns things around with possibly my favorite track on the album. This string-heavy, Kid Cudi assisted selection leaves no room for questions and wonderment as Jigga gives answers to the doubters. No further search for the “go hard” mentality of the Jigga Man is needed with lines like, “Now these niggas is mad/Oh they call me a camel/But I mastered the drought/What the fuck? I’m an animal/Half man, half mammal…”
12. Hate (Feat. Kanye West)- While Jay and ‘Ye do a distinct job of trading punchlines and displaying raw chemistry, one can’t ignore the fact that this track comes off as a “808’s and Heartbreak” throwaway and is far too short in time length. With a hook and more vocals from Yeezy, this could have been a Blueprint standout. Unfortunately, it’s not.
13. Reminder- Before I even jump into a description of this track, I just want to point out the fact that this fool had the nerve to say the only musical act better than him was The Beatles… not excluding Elvis Presley and Michael Jackson (although he was wise enough to not mention the late King of Pop’s name). With that said, Jay apparently wants to remind ya’ll he’s the best in Hip-Hop… period. Well, if that’s the case Hov, don’t do it over a beat that sounds like someone handed you a track they put together last night on Garage Band in the comfort of their two-bedroom apartment. The strings come off as irritating and the hook is just as unpleasant. While I will give Jay the benefit of some punchlines, the track is unfortunately not so original as you may recall cuts from “The Black Album” such as “Justify My Thug” and “Lucifer” upon listening to this song.
14. So Ambitious (Feat. Pharrell)- The choice of synthesized strings continues on this Neptunes cut. While Pharrell has provided for Jay-Z countless times before (anybody recall the guy singing the hook on “I Just Wanna Love U” from Blueprint 1?), this addition to the collabo resume comes off as passable. With no distinct, memorable lines from Jay except his constant refrains of “Fuck ya’ll” behind the entrance of the hook, fans might be disappointed by this lackluster approach from the constant Jigga/Pha-real duo.
15. Forever Young (Feat. Mr. Hudson)- With so many falters and stumbles throughout such a highly-anticipated album, I was very curious as to how this LP would close. Unfortunately, Blueprint 3 closes as unflatteringly as it opened. Mr. Hudson is a knockout with somber vocals that belong in the genre and class of Soft Rock; Jay-Z seems to completely disregard that, stumbling over the beat at times and failing to support his message lyrically of attaining a legacy.
Overall Rating: 3/5
-A.T.M.
With the way things have been goin' in the game, it seems as if everyone is either tryin' to turn Hip-Hop back into the direction that it came from (Slaughterhouse, Eminem, Busta Rhymes, etc.) or tryin' to just run on the course that it is currently on (Lil' Wayne, Diddy, Jim Jones, etc.). If anyone was goin' to give you his perceptions of the current state (and possible demise) of Rap music, it had to be none other than Jay-Z. Many doubters have already anticipated his next release, anxious to see what he still has to offer after coming out of retirement to drop two LP's (and now his third). The self-proclaimed "Best Rapper Ever" (and critically-acclaimed "Best Rapper Alive") may no longer have anything to prove, but the question still remains to be asked: What does Jay-Z stll have to offer?
The disk starts off proper as Jigga hits you with a good combination of flow, style, swag, and musical energy. But things eventually go south as guest appearances by Young Jeezy and Swizz Beatz just don't make the cut against Jay's artistry. Even as the middle tracks leave you wanting something better from the Marcy vet, he still manages to squeeze in standouts like "Already Home" and "Hate" (featuring Kid-Cudi and Kanye West respectively). The album ends with a somber collaboration from new-comer Mr. Hudson but as a whole doesn't make the remarkable impact some may expect.
While Jay's first post-retirement album "Kingdom Come" came off as a disappointment and the second ("American Gangster") as possibly one of his best, "Blueprint 3" fits right in the middle. Jigga's latest add to the resume doesn't seem to give you the best he can possibly give but does display brief points where Hov is clearly goin' hard and giving you a reason to place him as one of Rap's premiere MC's.
Individual Track Review:
1. What We Talkin’ About (Feat. Lake Steele of Empire of the Sun)- Jigga kicks things off in his highly anticipated addition to the “Blueprint” series with an unexpected mid-tempo Electronica selection many people may recognize (lyrically). If you kept up with Jay-Z news this past summer, you’ll recall a “beef” he possibly instigated with The Game by placing him in the same bar as the names Dame Dash and Jim Jones. While the aforementioned verse definitely sounds more sensible over the instrumental, the track isn’t something you’d expect to get too hyped over.
2. Thank You- Here’s the Jigga Man people have been waiting to hear from. On a laid back, horn-filled selection, Hova takes the time to express the state of Hip-Hop and his perception of it. Punchlines come aplenty and the beat is satisfactory as well. Why was this track not the intro?
3. D.O.A. (Death of Auto-Tune)- The lead single of Blueprint 3 continues to give you a taste of Jay-Z’s perception of the current stance rappers are taking in Hip-Hop. The horns and electric guitar give a ruthless, rugged appeal to Jay-Z’s flow but the lyrics just aren’t heavy enough to get his point fully across. While Hip-Hop nation undoubtedly took notice of Hov’s message (T-Pain, the Auto-Tune King, joined him on stage to perform this at Summer Jam), the release of such a single seemed to come at a coincidental time rather than acting as the reason why the use of Auto-Tune has actually declined.
4. Run This Town (Feat. Rihanna and Kanye West)- Here, Young Hov enlists the stardom of Rihanna and ‘Ye to gain a little more commercial attention for the LP. I found “Run This Town” a track that took getting used to; but the appeal of the cinematic snare and guitar in addition to the swagger Jay-Z applies with his flow makes it exceptional. Oh yeah, it just so happens Kanye delivers a knockout blow with his verse as well. The sequence of this second single fits perfectly into the tracklist.
5. Empire State of Mind (Feat. Alicia Keys)- “Let’s hear it for New York!” It’s been a while since an artist has provided his or her city with an anthem to stand by. Look no further; just when you thought the features couldn’t get significant on Jigga’s latest LP, he had the nerve to enlist the R&B prowess of Ms. Alicia Keys. And to top that off, Alicia acted as if she hadn’t gone anywhere from the game by giving an above average performance. Giving you the nostalgic feeling of being in downtown Manhattan, this joint is an exceptional addition to Hovito’s resume.
6. Real As It Gets (Feat. Young Jeezy)- Don’t be surprised by the name listed next to “Feat.” Although Jay-Z has lent his vocals to a Jeezy cut before [“Go Crazy (Remix)”], the Snowman unfortunately can’t adequately return the favor. Crooning the hook and making appearances in the first and third verses, Jeezy’s lyrics are about as “dull as it gets.” Hov attempts to salvage the song in the first half of the third verse, but outshining Jeezy doesn’t help in the overall quality of the track.
7. On to the Next One (Feat. Swizz Beatz)- As I peep the title of this song and look at who’s featured, I recall the days of when a Swizz Beatz track used to entail either a Ruff Ryder banger or a joint you’d want to highlight at the next house party. Nowadays, it’ll probably display a rapper with a lackluster flow thinking swagger can overpower lyricism (if Swizzy isn’t rapping over the instrumental himself). And this is pretty much what you get from this Blueprint selection. While some can make the case that the beat is hot, Jay-Z’s laziness forces me to suggest that you move “on to the next one” upon entering Track #7.
8. Off That (Feat. Drake)- Knowing Jay-Z’s style, you wouldn’t expect him to enlist Timbaland to bring you a track that sounds as if it came off of Madonna or Lil’ Mama’s previous albums (“4 Minutes,” “Shawty Get Loose”). While this club joint comes off as unexpected, it surprisingly works with Jigga’s flow and delivery as of late. Unfortunately, the track is heavily crippled by the fact that Drake does not land a verse on this album cut (and possible next single). As this track was projected to be Jay-Z’s second release (after “D.O.A.”), I can now understand why it was pulled back and why fans will be highly disappointed by the absence of Drizzy’s presence.
9. A Star Is Born (Feat. J. Cole)- And the up-tempo selections don’t stop. Jigga takes the time to elaborate upon various Hip-Hop acts that have become stars over the years. J. Cole gives a satisfactory appearance on the final verse but his request to become a star shouldn’t be taken metaphorically. As a Roc Nation signee, it can only be questioned whether or not we will see a highly advertised debut LP from “Simba” on behalf of Jigga Man and company. In the meantime, enjoy hearing the stories of how some go from rags to riches.
10. Venus Vs. Mars- When Jay-Z took the risks of discussing romantic endeavors on previous cuts such as “I Know,” “Bonnie and Clyde ’02,” and “Excuse Me Miss,” Hov definitely reaped what he sowed and came out of the mushroom cloud with some of his biggest hits. This track just comes off as awkward and uncomfortable as Jigga’s newly-found swag displays why it shouldn’t be used to holla at the ladies. With detailed descriptions of a particular encounter with the opposite sex, one comes to realize the limits of the self-proclaimed (and critically acclaimed) “best rapper alive.”
11. Already Home (Feat. Kid Cudi)- After dismantling an exceptional start to a highly-anticipated LP, Jay finally turns things around with possibly my favorite track on the album. This string-heavy, Kid Cudi assisted selection leaves no room for questions and wonderment as Jigga gives answers to the doubters. No further search for the “go hard” mentality of the Jigga Man is needed with lines like, “Now these niggas is mad/Oh they call me a camel/But I mastered the drought/What the fuck? I’m an animal/Half man, half mammal…”
12. Hate (Feat. Kanye West)- While Jay and ‘Ye do a distinct job of trading punchlines and displaying raw chemistry, one can’t ignore the fact that this track comes off as a “808’s and Heartbreak” throwaway and is far too short in time length. With a hook and more vocals from Yeezy, this could have been a Blueprint standout. Unfortunately, it’s not.
13. Reminder- Before I even jump into a description of this track, I just want to point out the fact that this fool had the nerve to say the only musical act better than him was The Beatles… not excluding Elvis Presley and Michael Jackson (although he was wise enough to not mention the late King of Pop’s name). With that said, Jay apparently wants to remind ya’ll he’s the best in Hip-Hop… period. Well, if that’s the case Hov, don’t do it over a beat that sounds like someone handed you a track they put together last night on Garage Band in the comfort of their two-bedroom apartment. The strings come off as irritating and the hook is just as unpleasant. While I will give Jay the benefit of some punchlines, the track is unfortunately not so original as you may recall cuts from “The Black Album” such as “Justify My Thug” and “Lucifer” upon listening to this song.
14. So Ambitious (Feat. Pharrell)- The choice of synthesized strings continues on this Neptunes cut. While Pharrell has provided for Jay-Z countless times before (anybody recall the guy singing the hook on “I Just Wanna Love U” from Blueprint 1?), this addition to the collabo resume comes off as passable. With no distinct, memorable lines from Jay except his constant refrains of “Fuck ya’ll” behind the entrance of the hook, fans might be disappointed by this lackluster approach from the constant Jigga/Pha-real duo.
15. Forever Young (Feat. Mr. Hudson)- With so many falters and stumbles throughout such a highly-anticipated album, I was very curious as to how this LP would close. Unfortunately, Blueprint 3 closes as unflatteringly as it opened. Mr. Hudson is a knockout with somber vocals that belong in the genre and class of Soft Rock; Jay-Z seems to completely disregard that, stumbling over the beat at times and failing to support his message lyrically of attaining a legacy.
Overall Rating: 3/5
-A.T.M.
Hot Mess Of The Week!!
So 50 cent has a Video & song out called "Flight 187"
when i first heard it, i didn't like it for several reasons:
...and now the song is stuck in my head...
when i first heard it, i didn't like it for several reasons:
- i don't like 50 cent. Period point blank.
- He's awkward to look at rap throughout an entire video.
- There's a part where he says his girlfriend gave some other dude herpes... doesn't that mean he has herpes too? NOT PIMPIN
- The video reminds me of this episode of the Boondocks ("50 cent" appears at 1:45... or something)
- Why does no one in this video know how to act? it's sad...
- It looks like a recession video. Complete with clip art and google images.
- He has an entire verse giving "advice" on not going to jail... something along the lines of "even if you're innocent don't talk to the police, you're gonna go to jail anyway." kids... DO NOT TAKE LEGAL ADVICE FROM 50 CENT
- it just.... sounds weird
...and now the song is stuck in my head...
-[|| Lady Trace -Y ||]-
Jay-Z Ft. My Chemical Romance – December 4th’s Black Parade (Urban Noize Remix)
Hey internet world. Urban Noize Music Group just came out with some new Jay-Z rock fusion featuring My Chemical Romance.The song's alright.. not a Trace-Y fav, but i do respect Black Parade & i'm always a ran of hip-hop/rock fusion so... listen and judge for yourself... though, i should warn you, halfway through the song someone who i have to assume is non other than mammy from Gone With The Wind, starts talking about baby Sean Carter and riding bicycles... and some other weird ish.
and Jay gets pretty morbid in the song... kinda has the "you hatin now, but you'll love me after i die" message. which makes Jay sound kinda like a teenager crying out for attention... just sayin... he's a grown ass man...
well, Download & listen for yourself
-[|| Lady Trace -Y ||]-
Friday, September 4, 2009
The N.O.W: [week of 8/30/09]
YOyoyo...It's ya boi KB reporting live from Ham-i'l-ton college. it's a friday night and i am locked up in the room because the MINORITEAM are lames and dont wanna be reckless, but would rather sleep or be at state fairs...that is except for Alex Tisme who is our first N.O.W. [NIGGA OF the WEEK] of season two. point black, dude is uber ill. madd energy all the time and gets the party crack-a-lackin', naw mean?!? so if u are on the hill and see this dude, bow in the presence of greatness... welp, off to drink alone and f*ck up my roommates $h!t...until next post, this is your boi KB, over and outtie..:KB:.
Drake - Successful Music Video
It's Grandmaster Benji once again here to satiate your inner cravings for some more Drake. After writing the Soulja Boy post I remembered that Drake had just made an official music video for his So Far Gone mixtape track "Successful" featuring Trey Songz. This version of the song, however, can be found on Trey Songz's Ready. Check it out.
([Grandmaster Benji])
Harlemz White Knight
Harlemz White Knight
Hot or Not: Soulja Boy Tell Em
It's your boy Grandmaster Benji. It's finally Friday, thank the Lord for that. I got to sleep in and websurf a bit and that's when I found this leak. [a little bit late] We all know how much hip hop and rap purists hate Soulja Boy for potentially ruining hip-hop but Grandmaster Benji feels for the kid. Through his random video blog and such, I learned that the dude is pretty much just like me except he has loads of money. [lol] He leaked this track over Drake's "Successful" and spit some surprisingly deep stuff. Many will still say he is still lyrically impaired but I believe Soulja Boy did some soul searching. [Pun Intended]
"No one person on this earth can change their past but every single person on this earth can start today and change their future." Until next time.
([Grandmaster Benji])
"No one person on this earth can change their past but every single person on this earth can start today and change their future." Until next time.
([Grandmaster Benji])
Thursday, September 3, 2009
HOT OR NOT: Nicki Minaj
Well it is official. Lil' Wayne has lost his damn mind. According to his site, Nicki Minaj/Nicki the Ninja/Nicki the Boss/Nicki the Harajuku Barbie/Nicki must owe a lot of money to a lot of different people if she has all these damn aliases, will be getting her checks signed by Young Money records. I really don't know how to take her, but right now the word 'seriously' doesn't come to mind. She's a cross between Lil' Kim and Soulja Boy; cocky, overly sexual, and maraketable enough to be on every high schooler's iPod. Here is a video too her performing and modeling to her song "Itty Bitty Piggy" brought to you by the wonderful folks at Hood Affairs On Demand [who would DEMAND updates on the hood? I mean REALLY???]. Well you already know the deal, check it out and leave your two cents or hell a whole dolla bill if you feel the need to. More to come on Weezy's future baby mama [like you weren't thinking that].
Ok. I'm done. Know ya'll tired of seeing me. Still waiting for that full moon.
[Artemis J]
Ok. I'm done. Know ya'll tired of seeing me. Still waiting for that full moon.
[Artemis J]
Wednesday, September 2, 2009
Colin Munroe
So over the summer I fell HARD for Colin Munroe. There’s something about this Toronto native that’s addictive. His beats are so jolly yet the lyrics are so damn depressing; perfect example is the remix to “Will I Stay” featuring Wale off of his The Unsung Hero mixtape. Artistically I think he is hysterically awkward. There’s something retro, yet, damn near futuristic about him. Yes, he is a walking contradiction and I wouldn’t imagine him any other way.
Best bar?
This game we play is a lot like spades
A heart means nothing with two jokers in the way
[sigh] love and gambling. Brings me back to high school…good times.
Anyway babe, if you REALLY want to see his artistic side check out his video for “World of Pain.” It’s something I could see a college student coming up with and then selling to Demetri Martin.
Well I REALLY need to get back to this paper that’s due in less than 7 hours. Just like education to get in the way of fun. See you soon at the next full moon. And remember to always bet on black.
{Artemis J}
Best bar?
This game we play is a lot like spades
A heart means nothing with two jokers in the way
[sigh] love and gambling. Brings me back to high school…good times.
Anyway babe, if you REALLY want to see his artistic side check out his video for “World of Pain.” It’s something I could see a college student coming up with and then selling to Demetri Martin.
Well I REALLY need to get back to this paper that’s due in less than 7 hours. Just like education to get in the way of fun. See you soon at the next full moon. And remember to always bet on black.
{Artemis J}
Around The Way: London
‘Ello Govna!!! It's ya gurl Artemis J and I went all the way to the U.K. and fell in love with this new artist by the name of MPHO [pronounced mmmm-po]. If Lady GaGa and FeFe Dobson conceived a child with a British accent it would be MPHO. This is the first single off of her mixtape Pop Art. So listen and tell us what you think of her. All for now.
{Artemis J}
{Artemis J}
Saturday, August 29, 2009
WE'RE BACK: Hot or Not
Yoyoyo it's ya boi KB reporting live from THE HILL!!! thats right BVR is back in action. PARTAAAY!! jk...or not. we are coming back and coming back hard in every aspect of everything. so because of that i wanna hit ya'll off with the new Mary J Blige/ Drake colabo called 'THE ONE'. now i hated this song when i first heard it, but some how it makes sense here at hamilton... how the hell did that happen. so... here, check out the visuals for this song, and then let us know if this is a hot mess or just plain hot...
.:Ya Boi KB:.
Monday, August 17, 2009
Simile: Things Left Unsaid
YOyoyo whats good cyborgs and cybergirls. Ya boi KB reporting live from and undisclosed location here to tell you that the moment of truth is almost among us. J-muthaf*ckin-K. but seriously, after what has been just about a year, i [SIMILE] am releasing the follow up to the 2008 project BLACK TUESDAY entitled THINGS LEFT UNSAID. it is an exploration into the mind of ya boi KB, a place very Few people get to travel to. Honestly, if u have ever met me you would know i am a man of very few words. well this project here is all the things i never cared to say aloud. Exclusively produced by myself and Baldwin Tang of The DownBeat Keys, THINGS LEFT UNSAID is a very intimate head bangger. It has an early 90's feel with splashed of futuristic production. i am joined by the likes of ATM, EK, MAGNIFICENT LORENZO, FLOW, and XV on this creative effort. the only catch is i am only releasing 25 copies. thats right. THIS IS LIMITED EDITION BABY. but don't worry, if u follow BVR [blue vinyl radio], then i got you. hit me up via facebook or aim and i can set u aside a copy [maybe even for free]. THINGS LEFT UNSAID will be available Aug 18 for $5. Make sure you cop this joint right here. i promise there is something on it for everyone. welp that is all for me right now. this is ya boi KB...over and outtie.
If Looks Could Kill - Simile
If Looks Could Kill - Simile
SLAUGHTERHOUSE ALBUM REVIEW
I'm sure ya'll know SLAUGHTERHOUSE, and if not watch the visuals provided for their first single 'THE ONE'
You likes? Good. Here's another album review for that ass...
The highly anticipated debut of rap supergroup Slaughterhouse may have gained too many expectations for the album to provide (at least for me). Overall, the album just seems to be a mixtape gone right without a host. While it is refreshing to hear each artist drop a verse on every song, it's hard for four distinguished MC's with lackluster careers to believe that this is the right step in terms of the aforementioned resume. The lack of chemistry allows the listener to be thankful that there are only 12 songs to listen to consecutively but fans should be happy that the album doesn't come off as a competition of "who's the best lyricist." A decent addition to each rapper's stat sheet but an unfortunate product for those who had high hopes for this being a potential turnaround piece of music in hip-hop.
Individual Track Review:
1. Sound Off- The “Slaughterhouse” conglomerate set things off well enough by “sounding off” in the roll call fashion of a lyrical exhibition. All four MC’s give verses that grow increasingly fast in speed as they give descriptions of their rolls in the group. A decent way to start things off and give people who haven’t heard these guys a chance to hear what they provide.
2. Lyrical Murderers (ft. Kay Young)- The lyrical quartet takes a laid back approach on this joint. Giving descriptions as to how they “murder” tracks, the four lyricists seem to lack chemistry in the midst of a hook that just doesn’t grab attention. Decent lines from everyone but not a standout track in all.
3. Microphone- Slaughterhouse goes hard on this one (with each verse getting more vicious, possibly intentionally). Providing straight lyricism is what they came here to do and they do not disappoint on this one. Definitely something to present in terms of what they were going for but yet another passable joint (no pun intended).
4. Not Tonight- The self-titled debut finally offers its first standout track with this upbeat display of raw energy. Each MC takes his turn to give you a reason as to why he can place hip-hop on his back and bring it back to the days when “niggas was rockin’ the mic.” Slaughterhouse doesn’t disappoint on this one.
5. The One (ft. The New Royales)- The lead single of the album provides one of the catchiest hooks I’ve heard in a while. The MC’s don’t fade from the mind easily either with lines like, “I’m the one who always cause an affair/So every time your bitch burps, you smell my balls in the air/Yeah…” Check out the video to get a glimpse of the rock star mentality they were aiming for.
7. Cuckoo- Apparently Slaughterhouse’s rhymes are so crazy, “they don’t need a hook for this one.” While the lines do come off as entertaining, the track as a whole comes off as a standout mixtape joint and the instrumental only forces you to give praise to the MC’s for staying on beat to something so sloppy.
9. Onslaught 2 (ft. Fatman Scoop)- Although the beat and rhymes provide a great addition to the tracklist, one can’t help but wonder where the hook is at or why Fatman Scoop is attempting to make an appearance by merely ad-libbbing behind every other line that is dropped. Fortunately, the energy that makes its way throughout the entire selection makes up for any mistakes that are made.
11. Salute (ft. Pharoahe Moonch)- Slaughterhouse attempts to give you reasons as to why you should salute them as lyricists and as street credible individuals. Unfortunately you would only do so half-heartedly as the beat is too soulful and the hook too dry to make this worth playing back. While the rhymes are decent as always (they are going for the lyrical approach), the lack of presence makes it hard for listeners to distinguish the artists at times even as the quartet lacks chemistry.
12. Pray (It’s A Shame)- The album takes an unexpectedly vulnerable turn as the MC’s share tales of growing up and living with hardships. While the rhymes come off as lighter (which isn’t necessarily a bad thing in the sense of balance), the track gives a thematic touch to an album that has come off as one without cohesion.
13. Cut You Loose- Possibly the best track on the album, Slaughterhouse goes hard lyrically and takes a thematic approach to discussing the current state of Hip-Hop music. Talking about rap in a metaphorical light, Hip-Hop is seen as a girl the MC’s just have to “cut loose.” The instrumental provides a nice touch to the energy and each artist gives a good portrayal of his love for rap music. And if anyone had any doubts about the Joe Budden/Method Man beef, no need to worry as Joey tells Method Man he can “have that bitch” (i.e. the current state of Hip-Hop) after describing it as a chick who’s been tricking… ouch.
14. Raindrops (ft. Novel)- Slaughterhouse sheds an even more vulnerable light on their experiences as they give share more stories about the difficulties of growing up in their lives. While this track is easy to separate from “Pray (It’s A Shame), it unfortunately doesn’t add that much of a new element to what is being discussed with the exception of the hook and instrumental.
15. Killas- Not a great way to end an album that came in with so much potential. The quartet describes its “killa” mentality but don’t seem too convincing on a beat that isn’t given enough justice. And while they are trying to bring rap back to its heyday, someone forgot to give them the memo on not throwing the most hood-sounding chick you can find on the hook anymore (if what was the chorus can be called a chorus).
Overall Rating: 2.5/5
If Slaughterhouse or anyone thinks they can bring rap to what it used to be just by dropping verses left and right, they're dead wrong. I don't know if people forgot but a lot artists were good lyricists and sold millions not too long ago because they were marketable. Without a second single (which I don't expect from this album), something that is profitable, and lyricism to back up the commerical success, you can expect to hear what you hearing on the radio and seeing what you see on TV for a long time... or until people get tired of it.
You likes? Good. Here's another album review for that ass...
The highly anticipated debut of rap supergroup Slaughterhouse may have gained too many expectations for the album to provide (at least for me). Overall, the album just seems to be a mixtape gone right without a host. While it is refreshing to hear each artist drop a verse on every song, it's hard for four distinguished MC's with lackluster careers to believe that this is the right step in terms of the aforementioned resume. The lack of chemistry allows the listener to be thankful that there are only 12 songs to listen to consecutively but fans should be happy that the album doesn't come off as a competition of "who's the best lyricist." A decent addition to each rapper's stat sheet but an unfortunate product for those who had high hopes for this being a potential turnaround piece of music in hip-hop.
Individual Track Review:
1. Sound Off- The “Slaughterhouse” conglomerate set things off well enough by “sounding off” in the roll call fashion of a lyrical exhibition. All four MC’s give verses that grow increasingly fast in speed as they give descriptions of their rolls in the group. A decent way to start things off and give people who haven’t heard these guys a chance to hear what they provide.
2. Lyrical Murderers (ft. Kay Young)- The lyrical quartet takes a laid back approach on this joint. Giving descriptions as to how they “murder” tracks, the four lyricists seem to lack chemistry in the midst of a hook that just doesn’t grab attention. Decent lines from everyone but not a standout track in all.
3. Microphone- Slaughterhouse goes hard on this one (with each verse getting more vicious, possibly intentionally). Providing straight lyricism is what they came here to do and they do not disappoint on this one. Definitely something to present in terms of what they were going for but yet another passable joint (no pun intended).
4. Not Tonight- The self-titled debut finally offers its first standout track with this upbeat display of raw energy. Each MC takes his turn to give you a reason as to why he can place hip-hop on his back and bring it back to the days when “niggas was rockin’ the mic.” Slaughterhouse doesn’t disappoint on this one.
5. The One (ft. The New Royales)- The lead single of the album provides one of the catchiest hooks I’ve heard in a while. The MC’s don’t fade from the mind easily either with lines like, “I’m the one who always cause an affair/So every time your bitch burps, you smell my balls in the air/Yeah…” Check out the video to get a glimpse of the rock star mentality they were aiming for.
7. Cuckoo- Apparently Slaughterhouse’s rhymes are so crazy, “they don’t need a hook for this one.” While the lines do come off as entertaining, the track as a whole comes off as a standout mixtape joint and the instrumental only forces you to give praise to the MC’s for staying on beat to something so sloppy.
9. Onslaught 2 (ft. Fatman Scoop)- Although the beat and rhymes provide a great addition to the tracklist, one can’t help but wonder where the hook is at or why Fatman Scoop is attempting to make an appearance by merely ad-libbbing behind every other line that is dropped. Fortunately, the energy that makes its way throughout the entire selection makes up for any mistakes that are made.
11. Salute (ft. Pharoahe Moonch)- Slaughterhouse attempts to give you reasons as to why you should salute them as lyricists and as street credible individuals. Unfortunately you would only do so half-heartedly as the beat is too soulful and the hook too dry to make this worth playing back. While the rhymes are decent as always (they are going for the lyrical approach), the lack of presence makes it hard for listeners to distinguish the artists at times even as the quartet lacks chemistry.
12. Pray (It’s A Shame)- The album takes an unexpectedly vulnerable turn as the MC’s share tales of growing up and living with hardships. While the rhymes come off as lighter (which isn’t necessarily a bad thing in the sense of balance), the track gives a thematic touch to an album that has come off as one without cohesion.
13. Cut You Loose- Possibly the best track on the album, Slaughterhouse goes hard lyrically and takes a thematic approach to discussing the current state of Hip-Hop music. Talking about rap in a metaphorical light, Hip-Hop is seen as a girl the MC’s just have to “cut loose.” The instrumental provides a nice touch to the energy and each artist gives a good portrayal of his love for rap music. And if anyone had any doubts about the Joe Budden/Method Man beef, no need to worry as Joey tells Method Man he can “have that bitch” (i.e. the current state of Hip-Hop) after describing it as a chick who’s been tricking… ouch.
14. Raindrops (ft. Novel)- Slaughterhouse sheds an even more vulnerable light on their experiences as they give share more stories about the difficulties of growing up in their lives. While this track is easy to separate from “Pray (It’s A Shame), it unfortunately doesn’t add that much of a new element to what is being discussed with the exception of the hook and instrumental.
15. Killas- Not a great way to end an album that came in with so much potential. The quartet describes its “killa” mentality but don’t seem too convincing on a beat that isn’t given enough justice. And while they are trying to bring rap back to its heyday, someone forgot to give them the memo on not throwing the most hood-sounding chick you can find on the hook anymore (if what was the chorus can be called a chorus).
Overall Rating: 2.5/5
If Slaughterhouse or anyone thinks they can bring rap to what it used to be just by dropping verses left and right, they're dead wrong. I don't know if people forgot but a lot artists were good lyricists and sold millions not too long ago because they were marketable. Without a second single (which I don't expect from this album), something that is profitable, and lyricism to back up the commerical success, you can expect to hear what you hearing on the radio and seeing what you see on TV for a long time... or until people get tired of it.
Thursday, August 6, 2009
Hot Mess Of The Week!!
Hey cyberworld... it's Trace-Y here with a new post. i typically try and avoid being a complete post whore with back-to-back posts but... this was such a severe case of WTF i had to hit up the blog within 5 minutes of watching this video. [shout out to my friend Thompson for showing me this]
Where do i start? Ok this video takes "glorifying the ghetto" to a whole 'nother level. it's one thing to be proud of where you come from... but why do i feel like Bill O'Reilly directed this music video... it's THAT ignorantly stereotypical. Why is someone's granny smokin out of a crack pipe in the 1st 30 seconds of the video??! Who's slut-tastic 15 yr old daughter thought it would be hot to shake her ass in probably the most dirtiest video every created. She's humping the ground... someone was probably shot on that ground. And why was there actually a shout out to "bologna meat?" The icing on the cake is the overload of newport cigarrette posters everywhere. you know black people sho do love them some newports...
This video makes me... sad. The worst part. Youtube users have given this video 4 1/2 stars. i guess EVERYONE is smoking crack.
it's either the definition of ignorance, or the best piece of satire i've ever seen in my life.
stay in school kids! get out the trap!
-[|| Lady Trace -Y ||]-
Where do i start? Ok this video takes "glorifying the ghetto" to a whole 'nother level. it's one thing to be proud of where you come from... but why do i feel like Bill O'Reilly directed this music video... it's THAT ignorantly stereotypical. Why is someone's granny smokin out of a crack pipe in the 1st 30 seconds of the video??! Who's slut-tastic 15 yr old daughter thought it would be hot to shake her ass in probably the most dirtiest video every created. She's humping the ground... someone was probably shot on that ground. And why was there actually a shout out to "bologna meat?" The icing on the cake is the overload of newport cigarrette posters everywhere. you know black people sho do love them some newports...
This video makes me... sad. The worst part. Youtube users have given this video 4 1/2 stars. i guess EVERYONE is smoking crack.
it's either the definition of ignorance, or the best piece of satire i've ever seen in my life.
stay in school kids! get out the trap!
-[|| Lady Trace -Y ||]-
Saturday, August 1, 2009
XV - Everybody's Nobody
XV, the self proclaimed "23 year old, cold, square dude from Kansas" has been quietly making a huge mark on the underground hip hop world for quite some time.
Late last night, XV released his LONG awaited mixtape "Everybody's Nobody," after months of single leaks, radio debuts, and twitter updates surrounding the project. As of this moment, the mixtape has been downloaded 3695 times... and this is after he released his mixtape at 9pm ...damn...
Well some of us at Blue Vinyl Radio have been listening to XV for quite some time, and think you should give his tape a listen. Not only am i going to post up the link to his FREE MIXTAPE, but I'm providing ya'll with a Blue Vinyl style song-by-song album review.
i know ya'll don't like to read -_-' so let me take care of the links first
CLICK HERE to download Everybody's Nobody
CLICK HERE to go to XV's Myspace to download his other 5 million songs FOR FREE.
Late last night, XV released his LONG awaited mixtape "Everybody's Nobody," after months of single leaks, radio debuts, and twitter updates surrounding the project. As of this moment, the mixtape has been downloaded 3695 times... and this is after he released his mixtape at 9pm ...damn...
Well some of us at Blue Vinyl Radio have been listening to XV for quite some time, and think you should give his tape a listen. Not only am i going to post up the link to his FREE MIXTAPE, but I'm providing ya'll with a Blue Vinyl style song-by-song album review.
i know ya'll don't like to read -_-' so let me take care of the links first
CLICK HERE to download Everybody's Nobody
CLICK HERE to go to XV's Myspace to download his other 5 million songs FOR FREE.
_____________________
XV - Everybody's Nobody [review]
_____________________
XV - Everybody's Nobody [review]
_____________________
- Everybody’s Nobody -This track dropped a few months ago. I wouldn't have expected XV to start the album with any other song. First of all... it's the title track. But more importantly it introduces who XV is the rap world. More importantly, it's a good song.
- Awesome -This is probably one of my least favorite tracks off the mixtape. There's nothing really wrong with it, i love the piano in the background, the song just doesn't capture me though.
- vizzy vizzy vizzy - i heard this track a while back with a different beat, so i’m glad it as refreshed with something different. Vizzy gets extra points for using the word “agoraphobic” on a track.
- A.D.D - reminiscent of XV’s “i am (somebody)” from "Forty Days/Nights." The song is really upbeat [obviously, it’s called A.D.D], instant mood picker-upper. The beat has a 80’s-90’s alternative/retro feel about it, can’t really explain, but I like it.
- Come back down - only XV would reference sponge bob squarepants and fresh prince of Bel-Air in the SAME SONG, all with a sweet sounding dame on the hook.
- Gobstopper - Hype beat. Chocolate Factory allusion to please my inner childhood. Sweet audio clip at the end from the classic movie? Wiz Khalifa on the track? Yes!
- Mirror’s Edge - Us @ Blue Vinyl AND Hot 97 released this track earlier, so chances are if you’re reading this you already love it. Anyone who remotely knows anything about the gamer world is sure to appreciate the title and concept and I’m sure hundreds of XV fans will appreciate the song for its EA reference. ALL of his fans will appreciate the laid back feel of this track.
- Blinded - same feel as mirrors edge, with added effects & a Harlem’s Cash feature
- Start a War - Thanks to "Please, Hold", I love Colin Munroe, excited to see another remake.
- Used To - Cute storytelling on XVs part to nicely compliment Ne-Yo's vocals.
- Live vs Livin -I'm a Big Sean fan, so i was happy to hear XV put a track featuring him on this tape.
- Now Look - It gets tiring staying up listening to an entire mixtape to review it for the next morning, but this beat actually pulled me in. Really catchy on first listen, automatic fav.
- Fall Out The Sky - Very Chill
- Me, you - another bangin beat. You can imagine how pleased i was to hear a remixed version of XVs Uptown Freestyle. I’m pretty sure when everyone in the hip hop world heard it they wished it was longer... now it’s the longest song on the tape. sweet.
- The Rabbit Hole - i have a thing for audio clips in songs, so of course i loved the luminous sounding snippit in the beginning of the song, followed by the macabre piano. [Sidenote: i’m from Houston, Texas, so i like to keep count of the random Texas mentions on XVs songs. It's a lot... i'm just sayin...]
- ending credits [interlude]
- Undeniable - XV always fuses hip hop with alternative rock music and i always love that about his music. Plus, the piano sure do sound pretty.
- Bad News - am i the only person who finds it interesting that this isn’t my first time hearing someone use an 808 beat for the song on the mixtape that vents about the industry? or maybe that was just this mixtape and UKNOWBIGSEAN.
- In Due Time - Anyone can appreciate the soulful sample XV used for this song. It seems like the appropriate ending song for this tape, lookin ahead at the future of his career. we’re all waiting for the day XV makes it big... in due time i suppose...
-[|| Lady Trace -Y ||]-
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